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1970s: Rise of television and the modern industry Josephine Siao is also another artist of the era. Connie Chan Po-chu is generally considered to be Hong Kong's first teen idol, mostly due to her career longevity. Cheng Kum-cheung and Chan Chai-chung (陳齊頌) were two popular Cantonese singers who specifically targeted the younger generation. Ĭonversely, those who preferred Cantonese music were considered old-fashioned or uneducated. Western culture was at the time equated with education and sophistication, and Elvis, Johnny Mathis and The Beatles were popular. The baby boomer generation at the time preferred British and American exports, as well as Mandarin music. Tang Kee-chan (鄧寄塵), Cheng Kuan-min (鄭君綿), and Tam Ping-man (譚炳文) were among the earliest artists releasing Cantonese records. 1960s: Cultural acceptanceīy the 1960s, Cantonese music in Hong Kong was still limited largely to traditional Cantonese opera and comic renditions of western music. As a result, many first generation Cantopop artists and composers hail from Shanghai. Beginning in the 1950s, massive waves of immigrants fled Shanghai to destinations like North Point in Hong Kong. In 1949 when the People's Republic of China was established by the Communist Party, one of the first actions taken by the government was to denounce pop music as pornography. Artists like Zhou Xuan (周璇) acted in films and recorded popular songs, and was possibly the first Chinese pop star. Western-influenced music first came to the Republic of China in the 1920s, specifically to Shanghai. 1.3 1970s: Rise of television and the modern industry.